Wednesday, 4 September 2013

Milo Mills (2k13) Paradise Soon EP


Ja:kova x Nomad (2k13) .DTNLB.















Tuesday, 3 September 2013

DJ Primate (2k12) Yugo (iNstrumental Hip-Hop)

An El Paso, texan Resident . . . . 17yrs old.


Much like the car the album is named after, this tape is short, rough, and unpolished, but it gets the job done. This album is made up of demos that I've made over the past few months that were actually listenable. I planned to make it this nice big album, but what the hell, this is good enough. I like it.

P.S. If you can name all the (main) samples used in this EP, you'll get an internet high-five because I've lost the original artwork I was originally going to give out. Sorry.

Sunday, 1 September 2013

αtu (spet.2k13)






Lawnmoher (2k13) Novembre Amour

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DarkerThanWax: NegiumBeats (2k13) Sweet Life

 
NEGUIMBEATS - SWEET LIFE EP
CAT NO : DTW 22


NeguimBeats is the latest contribution to the constant paradigm shifts in the movement of Brazil – though "Sweet Life" is devoid of the booming favela funk influence, especially pivotal in the current wave of electronic music. In place is a palatial sonic platter of impeccable arrangements. Typical sounds are tastefully woven together, resulting in an incredibly emotive and ambient soundscape. Shaking off expectations of the tropical, South American percussion based samples, he tastefully relives the omnipresent nostalgia of jazz - blithe stabs of keys and notes resonating with earthy, full-bodied snares, as he does in "Smooth Ambient" and "Life in Abundance". Everything falls into its right place as "Jazz" (featuring Kolombiano) hits the cans, with flowing anamorphic sounds and melancholic reverb of piano keys, exuding a keen sense of longing, ending with the illuminating "Space Traveller", capturing the calming, cosmic ambience. Neguim Beats evokes an innate connection with the listener, fast becoming an anomaly in the relationship between artistes and fans – a vital connection we thrive on at DTW. 

 
 Negium @ Soundcloud
 

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Soai (2k13) Mood Swings

Excellent downtempo ambience



Thursday, 29 August 2013

JuSoul (2013)




Dope on Production Synthesis of Sound Generation & Samples, accompanied by some BiG Drums.......Boom! Check Him Out, Enough to Download @ Bandcamp






Tuesday, 27 August 2013

!llmind (Aug 2013) !.B.F.K.W. (!llmind Beats For Kanye West) EP



Been a Fan of this Man for a Long time, ever since hearin of WaxReform back in 05 / 06'ish; been hooked ever since. Here is A collection of beats created for Kanye West . . . . . iNstrumentals.


Yancey Boys (Aug. 2013) Quicksand EP (ft. Common & Dezi Page)




Buy @ Boomkat

14KT (Aug. 2013) Nickel'N'Dimed





14KT laces together 14 instrumentals + 1 song with an incomparable ear for flipping samples, and his signature boom-bap, off-kilter drum programming and spacey synths. Then he enlists a handful of his favorite artists for a vocal encore (including Blu, Black Milk and MED) + appearances by Detroit's own JMSN on the summer cruiser Slo Swerve (also featuring Jamall Bufford) and Cali's Kokane (along with MED) on the new west coast anthem "W.C.E.F." 14KT even steps up to the microphone himself on "Five & Ten" to paint a picture of his take on the phrase, “Nickel & Dimed."


Kendall Tucker, aka 14KT, 1/7 of Michigan’s mighty hip-hop group Athletic Mic League, released his debut solo LP "The Golden Hour [Soundtrack]" in 2008 after a rich history with AML. Despite being an instrumental album, The Golden Hour appeared on many year-end “top albums” lists. Okayplayer said “this is the sort of striking project that can single-handedly create an artists following.” And so it did.
14KT has since released four solo albums, and is preparing his new instrumental album "Nickel & Dimed" for an August 27th release on Mello Music Group. From the lean soaked swerve to flamboyant west coast Errol Flynnin', the soulful synths and hard hitting drums drive KT's most eclectic project to date.


Bläp Dëli (Aug. 2013) High Pathetic Notes on Sound (vol​.​ 1)


Sandbox Collective @ Facebook

Monday, 26 August 2013

Oh-No (2013) vs. Now-Again Two

OhNo
(copied from Webpage) Oh No’s debut album for Now-Again Records was also the first in Now-Again’s “music library” series, one of the label’s most successful exercises in creating modern “library music” for easy synchronization for film and TV. It also stood alone as an instrumental album for this lauded producer. 

For this entry, the seventh Now-Again Music Library, Oh No combs through a now-much-more-vast catalog from American soul, funk and jazz to Iranian folk to Zambian hard rock. Fans of the variety of projects that Oh No is a part – from his Gangrene project with Alchemist to his production for the likes of Talib Kweli and Danny Brown – will be pleased with the variety of beats contained within.



This album is 19 tracks, running 40 minutes. As with all of Now-Again’s library releases, comes as a limited edition is CD is packaged in a “mini-LP” thick cardboard “tip-on” sleeve and is only available digitally at Now-Again’s subscription service at http://drip.fm/nowagain
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Soulection: Dpat (2013) In Bloom


Strange Soul (2013) Seasoned Soul

Second Instrumental EP from Hip Hop/Neo-Soul beat maker Twisted Roots (also known as Francis Strange) featuring 4 mellow hip hop tracks with Neo-Soul seasoning.

All tracks can be used for a non-profit purpose, however correct credit should be given.
 
 
 


Egadz . . . . . . Electronica | Synthesis | Beats (August 2013)


Multi-instrumentalist Erik Nava is an electronic musician raised in Southern California. Beat making came quickly for him after various forms of hip hop expression. In 2001, Erik fully realized the ideas that broke away from traditional loop and sample based beat music. The idea 12 years ago was to take things a bit further: to make beats into real composed music by utilizing live instruments played by himself. In essence, making beat music that was more than something to layer vocals over. Erik made beats music that stood on its own.
 
A big believer in crafting an original sound, Erik built song after song, album after album, based on the belief that one day it could be a genre. Unfortunately, the industry hadn’t carved out a niche for this new kind of music in Erik’s early years, so he continued to release the music independently, while slowly roping in fans worldwide. Experimenting and pushing the envelope on what post-hip hop electronica would sound like became an obsession. Soon Erik found himself supporting his own endeavors as a professional musician, still completely independent.

Jay Lotus (2013)


L33 x Sven Atterton (2013) Sunset


Chief & Deheb (2013) The Green